LAAF’s stated aim is to spark ‘informed debate that explores, and increases, appreciation of Arab people and their rich ...

Ambivalent, ironic, alienating. There is a prolonged moment at the beginning of director Alex Ross Perry’s documentary, ...

An Introduction To Psychogeography Psychogeography is more than the psychological effects of the urban environment, argues Maisie Ridgway. Here, she explains why the movement has become a political ...

Maps Of A Wretched Past: Patrick Altes What shapes your sense of belonging? French-Algerian artist Patrick Altes attempts to reconcile his identity with the troubled history of his birthplace, finds ...

Veronica Watson: All Together Now “A feeling, a period, a mood.” Mike Pinnington on Veronica Watson, whose portraits – celebrated in new publication All Together Now – currently adorn the Bluecoat’s ...

Filming alone, without a crew and seeing hardly any passers by for three days, was a much harder prospect than originally expected. He even got stuck for hours in a muddy Holloway with no way out ...

The Word On The Street: Liverpool In Literature “From the situatedness of the city through to the mediated experience of the symbolic plane.” Anthony Ellis takes a look, via various Liverpool streets ...

Across A Painted Sea: Cian Quayle Visiting Cian Quayle’s retrospective Points Of Departure at the Grosvenor Museum, Stephen Clarke finds a photographer enamoured with the call of the sea… The ...

Photographer Roxana Allison grew up in Mexico City and is now based in Longsight, Manchester, UK. She has today been announced as one of 100 winners of the British Journal of Photography’s Portrait of ...

Full List of Successful Arts Council England NPOs in The North For 2023-26. But Who Lost Out? Arts and culture organisations have been anxiously waiting for their fates to be revealed this morning, as ...

In Profile: Alfred Hitchcock’s Psycho (1960) “I’m not against the police; I’m just afraid of them”: Adam Scovell analyses one of Hitchcock’s most famous thrillers through the lens of the director’s ...