Carolina López Moreno, Bolivian-Albanian Soprano, born and raised in Germany, is a versatile, award-winning artist, and is ...

It’s been a busy summer for tenor Alek Shrader. He’s coming off a run of “Idomeno” as Arbace at the San Francisco Opera. He’s ...

Mezzo-soprano Helen Charlston is rapidly making a name for herself in the world of classical music, especially for her ...

Federico Fiorio is a male soprano, specializing in the baroque. I first came across him on his professional debut in 2018 ...

“Black Diva of the Thirties: The Life of Ruby Elzy,” by David E. Weaver is available from the University Press of Mississippi ...

From the title role in "Carmen," one of the most coveted mezzo roles, to Dorabella in "Cosi fan tutte," a traditional soprano ...

Peter Gelb is criticizing the United States government for abandoning Ukraine. During a concert at the Kyiv Camerata, the Metropolitan Opera’s General Manager took the stage to reinforce the company’s ...

The score of Gordon Getty’s “Goodbye, Mr. Chips” breathes all the unpretentiously sweet melancholy of its many predecessors – from James Hilton’s 1933 novella of the same title to subsequent ...

For the second time this season, the Metropolitan Opera is reviving “Il Barbiere di Siviglia.” Unlike the first cast, which was showcasing several established Met Opera veterans, this second cast ...

An egomaniac goes on an obsessive revenge tour to heal his bruised ego, in the process destroying himself and the entire community that he is supposed to lead and protect. In a way, “Moby Dick” is a ...

The curtain rose on Egyptian tombs. In the center, a rope came down and with it an archeologist. As he reached the bottom to get off the rope, he fell to the ground, the sound of his body crashing ...

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the ...