Anthony Albanese’s Labor government has won the election resoundingly, securing a majority with strong swings around the ...

In Mehmet Akif Büyükatalay’s Hysteria, the opening night film for the German International Film Festival, Devrim Lingnau plays Elif, an assistant on a film being directed by Yigit (Serkan Kaya). The ...

Jess Hill’s Quarterly Essay, Losing It, asks a simple but profound question. Why hasn’t Australia been able to stop violence against women and children? Despite years of awareness raising, counting of ...

Jason Koutsoukis raises a critical conflict of interest issue for the Coalition and specifically for the men who would lead Australia (“How much are Dutton and Taylor actually worth?”, April 26–May 2) ...

I have long felt that seaweed is underused as a food source in Australia. We import nori in processed form, but so many varieties exist in our own waters. These seaweed varieties have the capacity to ...

As Australia’s national security apparatus is increasingly applied to pursuing suspected people smugglers, foundational concepts of justice are being cast aside.

La cocina, an adaptation of Arnold Wesker’s 1957 play The Kitchen, is an exploration of migrant worker misery sharpened by the political environment in America today.

As Australia’s national security apparatus is increasingly applied to pursuing suspected people smugglers, foundational ...

From Palaeolithic cave paintings to cruciform churches and Sydney’s Kings Cross, this deceptively primitive intersection of two lines has enduring symbolic power.

Artists Mere Nailatikau and AM Kanngieser have co-created a sensory installation that brings the landscapes, sounds and wisdom of the Pacific region to the Venice Biennale.

Saman Shad’s The Sex Lives of Married Women begins with a provocative question: how do marriages, born from hope and ...